This man Jones was what you'd call A feller 'at had no sand at all; Kind o' consumpted, and undersize, And sailor-complected, with big sad eyes, And a kind-of-a sort-of-a hang-dog style, And a sneakin' sort-of-a half-way smile 'At kind o' give him away to us As a preacher, maybe, er somepin' wuss. Didn't take with the gang--well, no-- But still we managed to use him, though,-- Coddin' the gilly along the rout', And drivin' the stakes 'at he pulled out-- Far I was one of the bosses then, And of course stood in with the canvasmen; And the way we put up jobs, you know, On this man Jones jes' beat the show! Ust to rattle him scandalous, And keep the feller a-dodgin' us, And a-shyin' round half skeered to death, And afeerd to whimper above his breath; Give him a cussin', and then a kick, And then a kind-of-a back-hand lick-- Jes' far the fun of seem' him climb Around with a head on most the time. But what was the curioust thing to me, Was along o' the party--let me see,-- Who was our "Lion Queen" last year?-- Mamzelle Zanty, or De La Pierre?-- Well, no matter--a stunnin' mash, With a red-ripe lip, and a long eye-lash, And a figger sich as the angels owns-- And one too many far this man Jones. He'd allus wake in the afternoon, As the band waltzed in on the lion-tune, And there, from the time 'at she'd go in Till she'd back out of the cage agin, He'd stand, shaky and limber-kneed-- 'Specially when she come to "feed The beasts raw meat with her naked hand"-- And all that business, you understand. And it was resky in that den-- Far I think she juggled three cubs then, And a big "green" lion 'at used to smash Collar-bones far old Frank Nash; And I reckon now she hain't fergot The afternoon old "Nero" sot His paws on her!--but as far me, It's a sort-of-a mixed-up mystery:-- Kind o' remember an awful roar, And see her back far the bolted door-- See the cage rock--heerd her call "God have mercy!" and that was all-- Far they ain't no livin' man can tell What it's like when a thousand yell In female tones, and a thousand more Howl in bass till their throats is sore! But the keeper said 'at dragged her out, They heerd some feller laugh and shout-- "Save her! Quick! I've got the cuss!" And yit she waked and smiled on us! And we daren't flinch, far the doctor said, Seein' as this man Jones was dead, Better to jes' not let her know Nothin' o' that far a week er so.
A Thousand Stars A thousand plus stars knows the truth in you Your radiant light and heart shine so true In times of joy and in times of sorrow The enduring belief in today and tomorrow It is there to guide you every step of the way In the darkest of nights and the brightest days The truth and the light will never leave you Just ask the stars who know you so true
HERE in the velvet stillness The wide sown fields fall to the faint horizon, Sleeping in starlight. . . . A year ago we walked in the jangling city Together . . . . forgetful. One by one we crossed the avenues, Rivers of light, roaring in tumult, And came to the narrow, knotted streets. Thru the tense crowd We went aloof, ecstatic, walking in wonder, Unconscious of our motion. Forever the foreign people with dark, deep-seeing eyes Passed us and passed. Lights and foreign words and foreign faces, I forgot them all; I only felt alive, defiant of all death and sorrow, Sure and elated. That was the gift you gave me. . . . The streets grew still more tangled, And led at last to water black and glossy, Flecked here and there with lights, faint and far off. There on a shabby building was a sign "The India Wharf " . . . and we turned back. I always felt we could have taken ship And crossed the bright green seas To dreaming cities set on sacred streams And palaces Of ivory and scarlet.
A Love in the Sky
The sun kissed the moon
The moon sang a goodnight tune
The sun rose at the dawn of day
The moon dutifully hid behind the ray
The sun grew weary and wanted to rest
The moon came out as the sun sank west
The dawn came ; the sun kissed the moon
The moon again sang a goodnight tune
Alison JohnstoneSomedays I’d rather be working 9 to 5 I’d rather I get up and go But things are different right now And I gotta do what I gotta do These days I ought to be thankful I have something to get up and do Cause things are different right now And somedays I am working
A dying mother gave to you Her child a many years ago; How in your gracious love he grew, You know, dear, patient heart, you know. The mother's child you fostered then Salutes you now and bids you take These little children of his pen And love them for the author's sake. To you I dedicate this book, And, as you read it line by line, Upon its faults as kindly look As you have always looked on mine. Tardy the offering is and weak;-- Yet were I happy if I knew These children had the power to speak My love and gratitude to you.
A SATURATED meadow, Sun-shaped and jewel-small, A circle scarcely wider Than the trees around were tall; Where winds were quite excluded, And the air was stifling sweet With the breath of many flowers,-- A temple of the heat. There we bowed us in the burning, As the sun's right worship is, To pick where none could miss them A thousand orchises; For though the grass was scattered, Yet every second spear Seemed tipped with wings of color, That tinged the atmosphere. We raised a simple prayer Before we left the spot, That in the general mowing That place might be forgot; Or if not all so favoured, Obtain such grace of hours, That none should mow the grass there While so confused with flowers.